My most early authentic original suite composition in music manuscript resolved.
{Mon Opus Face Music Ceaju}
The continual sound of modern music _ circa `1971 _ `2016 _ ad in fin item.
FACE. This musical composition was composed directly following my discovery and formulation of Ceaju' "Stephen's Law of Change" which is and remains the non-repetitive continuvm of ordered and structured physical arrangement in principle. Now transposed from my original manuscript into Finale SongWriter.
A_Face_W_B. This music composition was composed after the above musical work. The distinct arrangement is upon woodwind and brass instruments only. The First of three movements.Now transposed from my original manuscript into Finale SongWriter.
A_Face_String. This music composition was composed along with the above musical work. The distinct arrangement is upon stringed instruments only. The second of three movements. Now transposed from my original manuscript into Finale SongWriter.
A_Face_Percu_Keybo_. This music composition was composed along with the above two musical works. The distinct arrangement is upon percussion and also keyboard instruments only. The Third of three movements. Now transposed from my original manuscript into Finale SongWriter.
A Set. This music composition was composed along with the above musical works. The distinct arrangement is of One movement. Now transposed from my original manuscript into Finale SongWriter.
Country quiet. This music composition was composed during the mid 1970s with a view to the opening scenes, of a motion picture screenplay, also of the same name and title. After writing the vignette, and manuscript, I thought to let the work age. To be sure. Now transposed from my original manuscript into Finale SongWriter.
Euxin Sea. This music composition was composed during the later quarter, of the twentieth century, and is the first movement, of a two movement piece which I wrote - to musicaly recognize in point of the history recorded, the human events which began to unfold - near to and around the Euxxin Sea known today as the Black Sea. Over a period of centuries B' C' to A' D'. The westward expansion of the national groups culminated mostly within a great central and west Europe settlment, circa the second and third centries a' d'. Now transposed from my original manuscript into Finale SongWriter.
Roeskilde. This music composition was composed directly following and after the above piece. This original piece is the second of two movements which I wrote - to elucidate in a musical score the eventual resolve, of the nations who travelled westward, from the Euxxin Sea and settled on the environs of central and west Europe, during the early centuries, of the first millenium a' d'. The humane crux of which became known, to the contemporary world of nations then coherant, as the Treaty Of Roeskilde. Now transposed from my original manuscript into Finale SongWriter.
The Story of Paper Tongue. This music composition was composed during the early circa 1970's. The First movement of three movements. The arrangement and score is orchestrated specific to woodwind and brass sections. Now transposed from my original manuscript into Finale SongWriter.
The Story Of Paper Tongue. This music composition was composed during early circa `1970's. The arrangement and score was inspired by a Children's Story scenario which I had conceived of, about the irony and perplexing thought of always being truthful, especially when a great many bits of information are simply not correct, and the task of sorting out - the truth distinct of clearly fictional tellings. The second movement, of Three movements. Now transposed from my original manuscript into Finale SongWriter.
The Story Of Paper Tongue. This music composition was composed during the early circa `1970's. The Third movement of Three movements. The arrangement and score is orchestrated specific to percussion and keyboard sections. Now transposed from my original manuscript into Finale SongWriter.
No One Saw It Happen. This music composition was composed to note the human anomaly of incidents which have evidently occured, though no one has ever come fourth to attest witness of the same, nor has a certain telling or and justice been found as having affected, as much, id est; pertinent about as much. Now transposed from my original manuscript into Finale SongWriter.
Scotch Diamond. This music composition was composed to note the new and unique competitive field sport which I devised upon an original campus design, the same which was introduced, with a view to develope during the fourth quarter, of the twentieth century a' d'., id est; circa `1970's.
Now transposed from my original manuscript into Finale SongWriter.
Opus Magnus 1. This certain music composition was originally composed to surmise the great preceeding work, id est; The Evolution of Music - in the Key of C. The same opus which I composed, during the era of circa 1970 through 1973. The entire piece, when I first sat down to actually play and develope the movements, and calculate a nominal playing time, 144 hours had passed. Now transposed from my original manuscript into Finale SongWriter.
7_7_Set. This actual music composition was originally composed to observe the relevance of celestial science portent in octave, sound, tempo, and range - during the temporal period of circa `1968 through `1973. Somewhat distinct of the nature found replete within civil cultures, of various imbibements and tonal indulgence. Now transposed from my original manuscript into Finale SongWriter.
The Beast. This certain music composition was actually and originally composed to distinguish a motion picture screenplay - which I wrote during the early 1970's of the same title; "The Beast". The vignette and opening prelude only. The jist of which depicts, the observed human and adult behaviorial response to infidelity, and the absence of fealty. Now transposed from my original manuscript into Finale SongWriter.
The Pod. This certain music composition was first and originally composed to distinguish; first a literary writing in book form "A to Z Organically" - which I wrote during circa `1967_`1968 which was later also increased with sequential posture photography as per myself and a close friend; Ingrid, and second a motion picture screenplay - which I wrote during the early circa `1970's of the same title; "The Pod". The vignette and prelude only. The jist of which portrays a depictation of observed human choice and behavior as to diet; id est; choice of beverage, eatible, and mixed foods. A diet which either enables and improves physical and mental balance or does not. Now transposed from my original manuscript into Finale SongWriter.
The Policy. This unique certain music composition was first originally composed circa `1973 to distinguish a motion picture screenplay vignette "Noir". The jist of which was a story; within a story, albeit a play upon the ends to which love, caring, humanity, and skill would reach for to assure the well being of one's family. Of course a fiction, in that the theatrical price of assuring, the same well being meant a signature - to a policy of end result performance. Now transposed from my original manuscript into Finale SongWriter.
The Past Is There. This unique and far seeing music composition - The First movement of Three movements - was first actually composed circa `1973_`1974 to distinguish a motion picture screenplay, based upon a thorough observance of spatial and celestial phenomenii, id est; daily chart notings which I commenced upon `1969 August and resolved upon `1973 September. Albeit to discern the physical and material weight - of the planet earth and it's lunar body during the same period of time, so as to compute the ratios and consequent annual weights, since the Planet Earth and it's Moon occurred unique of fertile space. And so to calculate a practical and reasonable scenario of potential portent - of the same. Now transposed from my original manuscript into Finale SongWriter.
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